The school power
The 23.9.2010 to 20h40
This two-part film traces, from 1977 to 1986, the years of training and then coming to power of a group of young enarchs. Raoul Peck was inspired by the Voltaire promotion, a generation of students who saw the arrival of the left in power as soon as they left school.
http://www.arte.tv/fr/mouvement-de-cine ... 00826.html
The first part passed last night, the second this evening but you can review on this page (available for an unknown period?): http://www.arte.tv/fr/mouvement-de-cine ... 01242.html
excerpts: http://www.arte.tv/fr/mouvement-de-cine ... 08868.html
The School of Power Judged by an Enarch
The telefilm L'École duouvoir, the second part of which Arte is broadcasting this evening, is inspired by the famous Voltaire promotion (1980) of the ENA. We asked an enarch of this generation to judge fiction.
The School of Power, a TV movie by Raoul Peck, is an evocation of the famous National School of Administration (ENA). The scenario is inspired by a famous promotion since it revealed some figures of politics today. Some people have fun recognizing Dominique de Villepin (Louis), Ségolène Royal (Caroline), François Hollande (Matthieu) ...
A former member of this class, who wishes to remain anonymous, notes that the involvement of young enarchs in the politics of the 80s (coming to power of François Mitterrand) is rather well seen. On the other hand, he considers that it is more a film on the “test” of power than on the “school” of power and on the reality of the ENA: the fiction looks at certain representatives of 'an elite who could come from any great school.
By pointing out an incredible error of the scenario (one speaks about electoral list about legislative elections!), The former student finds improbable the resignation of enarques for ideological reasons. "I've never seen this," he says. Those who went to the private sector always did so for financial reasons. The essence of ambition is flexibility, a certain plasticity under power and not ideological flashes. ”
In addition, according to him, a real film on the ENA could not have passed over in silence various aspects of a very specific formation: the reports distorted by the system of notation, the permanent humiliations of the system, the lack of interest of the subjects studied, the distance between these brilliant young people and the realities of society, the competition ...
Finally, perhaps we should also be wary of certain remarks, such as that of this enarque referring to his network ... "Never, underlines our witness, never the member of an elite would express himself in this way, because the essence of a network is precisely to be hidden. ”
http://www.tvmag.com/programme-tv/artic ... arque.html